Play Along Piano

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Opera

Salva Me da Tanta Infamia

TheLostChord

1:37	Est. Play Time
65	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	4	6	99%
		24	26	5	5	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	4	6	99%
		24	26	5	5	93%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	0	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Phantom of the Opera

bakpak2hvy

2:08	Est. Play Time
58	Measures
	3,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
C Tuba	14	5	5	2	100%
Contrabass	12	0	5	2	100%
Violoncello	14	0	5	2	100%
Tubular Bells	14	8	2	7	96%
Horn 3 4	22	15	10	5	81%
Trombone	18	15	7	5	77%
	19	0	6	5	77%
Violin 1	20	0	4	5	77%
Viola	21	7	8	5	74%
Oboe 1	19	5	7	5	70%
B Clarinet 1	21	0	6	5	67%
B Clarinet 2	21	15	8	5	67%
B Trumpet 1	18	0	7	5	67%
Horn 1 2	17	0	6	5	67%
Violin 2	22	11	6	5	67%
B Trumpet 2	17	15	8	5	65%
Flute 1	21	0	7	5	63%
Flute 2	21	16	8	5	63%
Glockenspiel	21	12	8	5	61%
Timpani	5	0	1	4	14%

Carmen

d-klenin

1:57	Est. Play Time
120	Measures
	5,055Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	32	2	12	6	98%
Violins I	32	4	11	6	98%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	32	2	12	6	98%
Violins I	32	4	11	6	98%
Violoncellos	27	0	10	6	98%
Violas	28	6	10	6	98%
Trumpets in A	21	43	8	4	89%
Clarinets in A	26	40	12	6	83%
Flute	21	0	8	6	83%
Bassoons	31	25	12	6	82%
Oboes	23	16	8	6	80%
Contrebasses	21	1	8	3	73%
Piccolo	23	0	8	5	68%
Trombones	26	60	10	5	60%
Horn in A	9	10	2	4	59%
Horn in E	11	10	3	5	55%
Timpani	2	0	0	4	35%

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
Harpsichord	17	36	5	4	98%
	24	29	7	4	100%
Violoncello	20	0	6	4	100%
Almira	14	0	6	4	88%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

1:31	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	0	2	3	100%
	10	0	1	3	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	2	3	100%
	10	1	3	100%
Harpsichord	10	1	3	100%
	14	2	3	100%
Oboe	13	3	7	100%
	12	3	5	100%
Contrabasses	14	2	3	100%
Viola	10	1	3	100%
Violoncello	14	2	3	100%
Vn 1	13	3	7	100%
Vn 2	12	3	5	100%
Bass	12	2	3	93%
Soprano	12	3	6	93%
Tenor	11	2	3	93%
Alto	12	3	4	87%

13. Lady and Gentleman

aamann

1:59	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	27	5	5	93%
	24	14	7	4	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	27	5	5	93%
	24	14	7	4	98%
Magda	15	0	4	4	59%
Blatz	15	0	4	4	52%

Richard Wagner - Siegfried vs Fafner und Forest Murmurs. {Full score.} {Unfinished.}

Jamie Holdham

1:38	Est. Play Time
65	Measures
	1,869Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
Contrabasse Tuben.	26	0	13	6	89%
BRATSCHEN.	24	16	9	5	86%
Bass Trombone	26	0	14	6	84%
Contrabasse Posaunen.	24	0	13	5	84%
Violoncelle.	31	5	14	7	84%
Bassclarinetten.	18	0	7	6	82%
Contrabasse.	22	3	10	8	82%
I. Violinen. II.	27	4	11	6	77%
Violins	27	4	11	6	77%
Bass-Tuba. (in B.)	28	0	12	4	64%
Horner. (in F.)	16	2	5	5	62%
Horn in F	15	2	5	5	62%
Clarinetten. (in Bb.)	15	5	6	7	60%
B♭ Clarinet	27	3	11	7	56%
F Trumpet	12	0	1	6	55%
Tenor-Tuba. (in Es.)	21	1	9	4	54%
(2 Tenor.) 3 Posaunen. (1 Basse.)	15	0	5	8	50%
Tenor Trombone	15	0	4	8	50%
3 Hoboen.	13	6	4	5	47%
2 Trompetten. (in F.)	14	1	2	5	45%
Oboe	16	4	6	5	44%
Englishes Horner.	16	0	6	5	43%
Bass Trompeten. (in D.)	9	0	3	6	32%
Flute	4	2	2	3	21%
Timpani	5	0	2	4	17%
3 Floten.	6	0	2	4	16%
2 Pauken.	3	0	1	4	9%

"Caro Amor" from "Il Pastor Fido," HWV 8, (1733)

edward.maurath

1:45	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
	13	0	1	5	95%
Contrabassi (Continuo)	13	0	0	3	95%
Viole 1	13	0	1	5	95%
Viole 2	13	0	1	5	95%
Violini 1	13	0	1	5	95%
Violini 2	13	0	1	5	95%
Violoncelli (Continuo)	13	0	0	3	95%
Cembalo (Continuo)	21	41	1	5	78%
	16	15	0	4	38%
Soprano as Mirtillo	9	0	0	5	44%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%